Deux farces inédites attribuées à la reine Marguerite de Navarre by Marguerite

(10 User reviews)   2148
Marguerite, Queen, consort of Henry II, King of Navarre, 1492-1549 Marguerite, Queen, consort of Henry II, King of Navarre, 1492-1549
French
Hey, have you heard about this wild discovery? Someone just published two supposedly 'lost' comic plays from the 1500s, and they're credited to a queen! Not just any queen—Marguerite de Navarre, who was basically a Renaissance rockstar: a writer, a patron of artists, and the sister of the French king. The whole thing is a delicious historical mystery. Are these plays really hers? They were just found in an old manuscript collection, and scholars are buzzing. The plays themselves are sharp, funny farces—picture a royal soap opera with scheming servants, foolish husbands, and clever wives, all written with a wink. It's like finding a hidden episode of your favorite period drama, but with the added thrill of not knowing if the credited director is telling the truth. If you love history with a side of gossip and a great 'whodunit' (or rather, 'whowroteit'), this is your next read.
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Imagine stumbling upon a dusty, unlabeled manuscript in a library archive. Inside are two short, funny plays from the French Renaissance. Now, imagine someone pointing to a name scribbled on it and saying, "See this? This might be the work of Queen Marguerite de Navarre." That's the real-life excitement behind this book. It presents two comic farces, previously unpublished and unattributed, that some experts now believe were written by this fascinating royal figure.

The Story

Don't expect epic battles or royal decrees here. These are domestic comedies, the sitcoms of their day. In one, you might find a clever servant outwitting a grumpy master. In another, a wife gets the better of her foolish husband through a well-planned ruse. The humor is broad, physical, and surprisingly relatable—it's all about human folly, pride, and the little victories of the underdog. The plots are simple vehicles for the witty dialogue and social observation, giving us a peek into the everyday anxieties and amusements of 16th-century life, all from a perspective that feels refreshingly grounded.

Why You Should Read It

For me, the magic is in the double layer. First, you get these vibrant, accessible plays that are genuinely fun to read. You can almost hear the audience laughing. But then, hovering over every line, is that tantalizing question: Did she write this? Reading it with Marguerite in mind changes everything. You start looking for her voice—her known intelligence, her religious convictions, her subtle critiques of society. It turns reading into a detective game. Was this jab at a pompous man a nod from a queen who navigated a world of them? It makes history feel immediate and personal, not just dates and treaties.

Final Verdict

This book is perfect for history buffs who like their facts served with a side of intrigue, and for readers who enjoy classic comedies from Molière or Shakespeare's lighter moments. It's also a great, bite-sized entry point into the Renaissance. You don't need a PhD to enjoy the jokes or get hooked on the mystery. Just come curious, and you'll leave feeling like you've been let in on a secret from 500 years ago—even if we're still not 100% sure who whispered it.



🔓 Usage Rights

The copyright for this book has expired, making it public property. It serves as a testament to our shared literary heritage.

William Martin
5 months ago

Finally found time to read this!

Patricia Jones
4 months ago

Clear and concise.

Andrew Lopez
1 month ago

To be perfectly clear, the narrative structure is incredibly compelling. Absolutely essential reading.

Michael White
7 months ago

Great digital experience compared to other versions.

Melissa Walker
1 year ago

Five stars!

4.5
4.5 out of 5 (10 User reviews )

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